Cameroon is a
multicultural and multilingual country. Africa-in-miniature, it is a linguistic
fascination whose diversity is impressive. What about Japan? For the typical
Cameroonian, Japan is a mystery yet the recent Japan festival organized at the
French Cultural Institute in Yaoundé this 1st of February enabled a clear sweet
sensitivity of the typical Cameroonian to the Japanese culture. Yes, the
Japanese festival was a rich colorful cultural exposition.
Let us start with Empress Regnant Suiko. Even
if she was not exposed and talked of during the festival talking about her here
puts forward the dynamism of the Japanese woman. Which became very visible as
we moved in the festival's hall. They were very active during the festival and
participated in all activities and at all levels of roles and functions.
Suiko Source Wikipedia |
Suiko was a powerful
Nippon queen who reigned from the 8th
December 592AD to the 7th March 628AD. Knowing Suiko is important
because in the history of Japan she
was the first woman to take on the role of empress regnant. She had
thus full political power over her kingdom without share with her husband.
Several centuries before
Queen Suiko came Queen Nefertiti a beautiful woman as it was admitted. Queen of
Egypt and wife of Pharaoh Akhenaten during the 14th century B.C. Nefertiti is known for reorienting Egypt’s
religious and political structure around the worship of the sun god Aten.
The
present discourse of generation equity affected by the sustainable development
goal 5 would have been a real amusement to the traditional Kemit woman or
Japanese woman. In fact, most traditional African societies put the woman at
the forefront of development. The regrettable observation of women's
disengagement, and it is not a hyperbole, in community development with respect
to certain activities is not understandable given the glorious history of the
African woman
Nefertiti Source Wikipedia |
What do these queens have
in come? They were powerful and contributed tremendously in the development of
their kingdoms.
The Japanese festival
exposed the historical links that further served as an important tie between
Japan and Cameroon. In fact, Tsunoda Ichizo is the first Japanese to come to
Cameroon where he died and was buried. He arrived in Kamerun during the German
rule.
An exposition of Tsunoda's presence during German Kamerun Photo Didier De Masso |
Cameroonian youths are
familiar with Japanese Manga and other superheroes. Video games and the manga
projected in cable television has considerably enabled this exposure to be
possible. Rewards were given to the best manga drawings
Winners of the Manga contest Photo Didier De Masso |
As we moved into the exposition hall to observe what
attracted Cameroonians, we discovered a fascination for the calligraphs and origami,
the bitter green matcha tea, and the wearing of the yukata.
Crowds of enthusiasts gathering to see how their names will be written in calligraphic form. Photo Didier De Masso |
It was interesting to see
all of Cameroon's cultural diversity gather at the calligraphy corner.
A woman from the North of Cameroon holding passionately her Caligraphy Photo Didier De Masso |
Happy Japanesse young woman teaching the art of Origami to a young Cameroonian adolescent Photo Didier De Masso |
Happy Japanese man in the process of matcha making Photo Didier De Masso |
Matcha drinking. The drinking of the matcha is codified just as the making as the schema on the table shows Photo Didier De Masso |
The festival ended in a
melodious tone with enchanted and excited people staying in the hall long after
the festival ended. The strength of the expressions of the Japanese savoir-faire
was very dominant. More energy dedicated in doing than in anything. The
exposure of electronic technology was absent at the festival.
It was extremely
impressing when we know how powerful Japan is in terms of electronic
technology. It is an important cultural element which has made Japan renown.
Assuming it was a necessary omission, the idea of such a festival without
typical Japanese electronic technology should be questioned when the majority
of participants at the festival where youths, necessarily contaminated with and
by the ICT-Kulture.
Notwithstanding, the festival exposed in a colorful way the
mode of life of Japanese (dressing, food-tea-, drawings, and writing). The
beauty of the Japanese culture stems from an impressing coded set of behaviours
and activities perfectly organized to vehicle a set of values and principles.
Being at the festival re-questioned the meaning of cultural hybridization in a
globalized world.
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